| Reviews |
"A sumptuous visual feast combined with deep archival research. With authority and flair, Amy Boyington shows that women have been hiding in plain sight all along in the story of how glamorous Georgian architecture got made." -- Lucy Worsley, Chief Curator at Historic Royal Palaces, and author of Agatha Christie: An Elusive Woman and Courtiers: The Secret History of the Georgian Court "A must read for anyone interested in women's place in the past." -- Janina Ramirez , University of Oxford, and author of Femina: A New History of the Middle Ages, Through the Women Written Out of It " Hidden Patrons is a complete revelation . . . a scholarly, yet engagingly-written study which celebrates the considerable contribution of aristocratic women to the architecture of country houses, villas, town houses and garden buildings in the eighteenth century. Everyone with an interest in Georgian architectures and interiors should read this book." -- Jeremy Musson, University of Cambridge, and author of English Country House Interiors, A sumptuous visual feast combined with deep archival research. With authority and flair, Amy Boyington shows that women have hiding in plain sight all along in the story of how glamorous Georgian architecture got made., "This excellent book ... is a rich and meticulous study on why and how British elite women of the later-Stuart and Georgian eras engaged in architecture-related schemes ... A joy to read, as well as an education." --Jacqueline Riding, Country Life "A sumptuous visual feast combined with deep archival research. With authority and flair, Amy Boyington shows that women have been hiding in plain sight all along in the story of how glamorous Georgian architecture got made." -- Lucy Worsley, Chief Curator at Historic Royal Palaces, and author of Agatha Christie: An Elusive Woman and Courtiers: The Secret History of the Georgian Court "A must read for anyone interested in women's place in the past." -- Janina Ramirez , University of Oxford, and author of Femina: A New History of the Middle Ages, Through the Women Written Out of It " Hidden Patrons is a complete revelation . . . a scholarly, yet engagingly-written study which celebrates the considerable contribution of aristocratic women to the architecture of country houses, villas, town houses and garden buildings in the eighteenth century. Everyone with an interest in Georgian architectures and interiors should read this book." -- Jeremy Musson, University of Cambridge, and author of English Country House Interiors, "A sumptuous visual feast combined with deep archival research. With authority and flair, Amy Boyington shows that women have hiding in plain sight all along in the story of how glamorous Georgian architecture got made." -- Lucy Worsley, Chief Curator at Historic Royal Palaces, and author of Agatha Christie: An Elusive Woman and Courtiers: The Secret History of the Georgian Court "A must read for anyone interested in women's place in the past." -- Janina Ramirez , University of Oxford, and author of Femina: A New History of the Middle Ages, Through the Women Written Out of It " Hidden Patrons is a complete revelation . . . a scholarly, yet engagingly-written study which celebrates the considerable contribution of aristocratic women to the architecture of country houses, villas, town houses and garden buildings in the eighteenth century. Everyone with an interest in Georgian architectures and interiors should read this book." -- Jeremy Musson, University of Cambridge, and author of English Country House Interiors |
| Synopsis |
An enduring myth of Georgian architecture is that it was purely the pursuit of male architects and their wealthy male patrons. History states that it was men who owned grand estates and houses, who commissioned famous architects, and who embarked upon elaborate architectural schemes. Hidden Patrons dismantles this myth - revealing instead that women were at the heart of the architectural patronage of the day, exerting far more influence and agency than has previously been recognised. Architectural drawing and design, discourse, and patronage were interests shared by many women in the eighteenth century. Far from being the preserve of elite men, architecture was a passion shared by both sexes, intellectually and practically, as long as they possessed sufficient wealth and autonomy. In an accessible, readable account, Hidden Patrons uncovers the role of women as important patrons and designers of architecture and interiors in eighteenth-century Britain and Ireland. Exploring country houses, Georgian townhouses, villas, estates, and gardens, it analyses female patronage from across the architectural spectrum, and examines the work of a range of pioneering women from grand duchesses to businesswomen to lowly courtesans. Re-examining well-known Georgian masterpieces alongside lesser-known architectural gems, Hidden Patrons unearths unseen archival material to provide a fascinating new view of the role of women in the architecture of the Georgian era., Shortlisted for the Architectural Book of the Year Award 2025 An enduring myth of Georgian architecture is that it was purely the pursuit of male architects and their wealthy male patrons. History states that it was men who owned grand estates and houses, who commissioned famous architects, and who embarked upon elaborate architectural schemes. Hidden Patrons dismantles this myth - revealing instead that women were at the heart of the architectural patronage of the day, exerting far more influence and agency than has previously been recognised. Architectural drawing and design, discourse, and patronage were interests shared by many women in the eighteenth century. Far from being the preserve of elite men, architecture was a passion shared by both sexes, intellectually and practically, as long as they possessed sufficient wealth and autonomy. In an accessible, readable account, Hidden Patrons uncovers the role of women as important patrons and designers of architecture and interiors in eighteenth-century Britain and Ireland. Exploring country houses, Georgian townhouses, villas, estates, and gardens, it analyses female patronage from across the architectural spectrum, and examines the work of a range of pioneering women from grand duchesses to businesswomen to lowly courtesans. Re-examining well-known Georgian masterpieces alongside lesser-known architectural gems, Hidden Patrons unearths unseen archival material to provide a fascinating new view of the role of women in the architecture of the Georgian era. |
Alexaku3feb9
A fascinating read that reshapes our understanding of Georgian architecture by revealing the overlooked role of women as influential patrons. Boyington’s well-researched and engaging book challenges historical assumptions, shedding light on their contributions in shaping buildings and estates. A must-read for history and architecture enthusiasts!